Design Process Map

Yesterday I got really good feedback about my design map which I had to do as a part of my water project. I have decided to develop the hyperlinked graph in a form of string tangle (which very much reflects my unordered way of working). It is entirely done using Illustrator, Photoshop and Dreamweaver, so it cost me a lot of time and effort and frustration sometimes when things didn't want to work the way I planned... But the final effect is pretty impressive - you can see it here

Pet plants

I have found those cute plant tamagotchi objects somewhere in the web. They are called Domsai and they are designed by Matteo Cibic. And of course they were displayed in Milan when I couldn't be there... ;(
For last weeks I have been spying on those amazing things I have just missed, because the final week of my project was at the same time as Salone del Mobile.

Flowless

I have finally finished the water project. This is the picture of the final product - a vessel pouring running tap water directly at the users table.

Ceramics

For the last month, as a part of my product design project, I have been experimenting with ceramics. Exciting as I was in the very beginning I never expected it to be such a time consuming and monotonic process. I was really keen to learn something new and 'real' - genuine craft, like in old good times... But I guess those times were not that stressing and the pace of life was much more relaxed - especially comparing to life pace of an product design student. Well, my point is, pottery doesn't accept rushing and impatience. It's also very uncontrollable. Hence, it gets me really frustrated.

my digital presence

Last Monday we were given a presentation on CV's, portfolios, job interviews and all that professional – ‘grow-ups’ things, that we will have to go through after we graduate. It was done by our Product Design lecturer Pete Thomas and his friend Matt Shannon practitioner from Imagination.

Although the presentation was very constructive and valuable, I had an impression, that after we graduate, it all becomes about how effective we sell ourselves. Nevertheless, it was good to find out about certain do's and dont's of presenting our work to the outside world. I found this session particularly useful, as my personal website is just starting to take shape. (I reveal a snapshot of it here)
The main conclusion concerning the digital portfolios was, that we shouldn't show too much. Just demonstrate some of the strongest parts of our university work and treat websites more as a catch enticing our potential employers to invite us for the interview.

Looking at my digital portfolio from this angle, it appears very amateur. But on the other hand this was my primary intention. I wanted it to be something personal – an evidence of my passion towards design and art; my own development and different experiences gathered during the years of studies. I was intending to reflect most of my skills, to demonstrate flexibility, multidisciplinarity and my general enthusiasm. I was assuming, that as a graduate, my main advantage is, that I still have a fresh mind and I can prove myself in different areas and aspects of design. In a way I don’t want to pretend that I am professional. It’s dishonest – I’m still happy to learn and shape myself as a designer. And in this respect my website demonstrates a charming clumsiness of young design student.

Little kettle family

I just realised that, while prototyping, I produced quite a collection of miniature kettle-like objects that are recently kicking about my desk. Together they make a nice little family, so I decided to take a 'family picture' of them.

Watercolours

So I did as I thought. I spent a good while trying to decide on a different technique for making my final D&AD boards. I wanted to experiment with something new, other than CAD or photoshop, that would make my presentation different and somehow unique. I believe, the third year, it’s high time to figure out what kind methods and tools fit me best, so I can practise them before the final year project.

I finally decided to paint my boards with watercolours. The effect, that can be achieved with the subtle, fresh and slightly blurred colours seemed to be just right to express the tone of my project. I settled on the composition and palette and…well, it all looked great in theory, but the practise wasn’t easy at all. Especially as the last time I really painted was… 3 years ago, I guess… Apparently watercolours are one of the most challenging painting techniques. Mostly due to the fact, that there is no white paint, so once you put darker colour there is no chance to erase it or paint over. It also requires a lot of patience as each layer has to dry completely before applying the next one. It basically makes it impossible to see any immediate effect and got me really frustrated. I came to the point when I was ready to abandon the whole idea of this ‘artistic rebel’ and put a few vectors in solidworks or illustrator and have the whole thing ready in half hour. Luckily I had support from certain artist from upstairs, who helped me out and gave some motivation. To be fair, I was pretty satisfied with the outcome. Unfortunately getting the digital version of the image turned out to be quite problematic too. As watercolour paints give very light colours, many delicate shadows (which I gave so much attention) were lost while photographing or scanning, so I spent another couple of hours trying to photoshop them back (still not quite there – the image on top)

What’s the moral of the story? Well, it’s hard to be creative .